LISTEN TO THIS RELEASE VIA BANDCAMP BELOW
LIMITED EDITION WHITE VINYL LP. HOUSED IN A 350GSM PRINTED OUTER SLEEVE WITH DOWNLOAD CODE
A1. Matamoros (6:30)
A2. Shoofly (5:24)
A3. Eric Carr T-Shirt (6:32)
B1. Vaporwave Headache (2:41)
B2. Anxious Whitey (17:09)
Bass: Nate Cross
Drums: King Coffey
Guitar & Vocals: Craig Clouse
Vocals On Shoofly: Kevin Whitley
Extra Guitar On Matamoros: George Dishner
Recorded By Ian Rundell In Austin Texas
Cover Painting Craig Clouse
Cover Photo Coco Clouse
LIMITED EDITION 400 ONLY WHITE VINYL LP HOUSED IN A 350GSM SLEEVE WITH DOWNLOAD CODE. NO REPRESS.
Release Blurb :
As a young person I frequently heard tales that high-end stereo shops used Pink Floyd’s ‘Dark Side Of The Moon’ as a demonstration disc, in order to fully document the prowess of their impossibly-expensive wares.
I rarely frequented any of these establishments but always took these stories on faith. I’m no audio guru, but it seems to me that someone attempting to do the same thing in 2019 could do a whole lot worse than adopting USA/Mexico’s long-awaited 2nd album, ‘Matamoros’ for similar purposes. The trio’s first album 2017’s ‘Laredo’ might’ve been a worthy candidate for a test-spin in the Bang & Olufsen showroom, but the successor is the sort of record that really makes if you’re the sort of person who can appreciate the BACKES MÜLLER BM 100 loudspeaker (list price $500,000.00 USD)
Once you’re comfortably settled in, you’ll find that the all-star team of guitarist Craig Clouse (Shit & Shine) drummer King Coffey (Butthole Surfers) and Nate Cross (Marriage, When Dinosaurs Ruled The Earth) have done everything possible to help you expand your sonic palette — some might say they’ve even done too much! Either way, these guys are as unselfish as they are loud. Or perhaps they’re as selfish as they’re quiet — i do hope you’ll agree their motives are less important than the results, and in this instance, those results are nothing less than a staggering sensory overload.
George Dishner (Spray Paint) and Kevin Whitley (Cherubs — on a rendition of his band’s “Shoofly”, as previously heard on 1992’s ‘Icing’) make cameos. The entire affair was engineered by budding genius Ian Runndell (he of every other great record recorded in Austin) and is available via the 12XU and Riot Season record labels in North American and UK/Europe respectively.
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