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LIMITED EDITION TRANSPARENT TURQUOISE BLUE VINYL LP, HOUSED IN A PRINTED OUTER SLEEVE (REVERSE BOARD/MATT FINISH) WITH BLACK POLYLINED INNER BAG & DOWNLOAD CODE
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A1. Fishcat Mother
A2. The Moon On The Tides
A3. Goatfoot On Owl Hill
A4. Tethered On The Wheel
B1. Sun And Steel
B2. Catch A Falling Star
B3. The Blistering Of Summer Heat
Taras Bulba featuring ex Earthling Society head Fred Laird return with their second album ‘Soul Weaver’.
Soul-Weaver was recorded between February and April of 2020. The album is a sharp contrast to the Taras Bulba debut. Whereas ‘One’ was a laid back psilocybic novelty travelogue; Soul-weaver is more guitar driven dream like psychedelia, mixing 60’s garage rock, shoegaze, bucolic west coast acid folk and ambient feedback. The album builds on song structures instead of drifting instrumentals prevalent on our debut and is an indication of the path I want to go musically. Constructing the album in such a short time and under lockdown restrictions changed the way the album took shape. There were no drum sessions between myself and Jon due to the social distance rule and therefore percussion had to be constructed from drum machines or ‘found’ from previous sessions and cannibalised. So, in some ways this is more a solo record (Jon has never heard the songs). It is a guitar album whereas ‘One’ was a rhythm/percussion focused recording.
Lyrically it draws on (quite accidentally) the writings of Dion Fortune, particularly her novel ‘The Sea Priestess’ which I read 12 months before. It never even came into mind until I started draughting the lyrics and things started popping up that had very strong comparisons to that novel. That’s the subconscious mind I suppose and also living next to the Irish sea which is literally at the top of my street. I can see it and smell the salt on the air everyday. I’m lucky really for that. I took it all for granted up until the last year or two. The recording has a bit of a watery, dreamy feel too and it’s also haunted.
It’s haunted by a good soul though; with electric blue eyes.
Early March I recorded the track ‘Sun and Steel’ and I could hear a female vocal on it. I needed to record a vocal and my sister in law always fancied herself as a bit of a singer. I thought she could weave some magic on it. I text her at 9:26am, it was a Thursday morning. She never replied.
This is for you Susie (1971–2020) eternally in our hearts.
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